Wednesday, 9 April 2014

Review Digital Camera World 04-09-2014

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How to use Lightroom: 8 mistakes every photographer makes (and how to fix them)
Apr 8th 2014, 23:01, by jmeyer

Discover how to use Lightroom more efficiently. Here are 8 classic mistakes photographers make while editing photos in Lightroom and solutions.

How to use Lightroom: 8 mistakes every photographer makes (and how to fix them)

Adobe Lightroom is an incredibly powerful image organisation and editing software package. With just a few clicks of your mouse it enables you to tag images and add key words so you can find them quickly and easily in the future.

It also has tools to help you correct exposure and white balance problems and adjust contrast.

Of course the downside to having such a powerful tool at your disposal is that it's possible to make some pretty significant mistakes, especially when you're first learning how to use it.

To help out we've drawn up a list of the most common mistakes that photographers make when using Lightroom and have some advice about how to get things right from the outset.

SEE MORE: Master Adobe Lightroom in 12 minutes or less

Worst Lightroom mistakes: 1. Not using keywords

Worst Lightroom mistakes: 1. Not using keywords

Keywords are an incredibly useful feature that allow you to find images quickly.

However, applying them takes a bit of discipline and forward planning.

For example, you need to give some thought to how far you breakdown keywords.

This will probably depend upon how many shots you are likely to produce of a particular subject.

SEE MORE: Lightroom vs Photoshop – why Lightroom has all the tools you need

Someone who only occasionally shoots flowers, for instance, is likely to find giving any flower pictures a keyword of 'flowers' sufficient, but a professional plant and flower photographer may require more detail with keywords for specific plants.

If you find that your collection of images with one keyword grows, you can always add another sub-keyword at a later date to help break it down at a later date, but it's better to get things straight from the outset if you can.

Keywording an extensive back-catalogue of image is a pretty daunting task, so we recommend starting with new images and applying keywords as you import each new batch.

Once you've built up a collection of keywords you can start assigning them to older images.

Worst Lightroom mistakes: 1. Not using keywords
Worst Lightroom mistakes: 2. Moving image files outside of Lightroom
Worst Lightroom mistakes: 3. Clipped highlights
Worst Lightroom mistakes: 4. No blacks or whites
Worst Lightroom mistakes: 5. Over-adjusted Curves
Worst Lightroom mistakes: 6. Over saturating colours
Worst Lightroom mistakes: 7. Over-use of selective colour
Worst Lightroom mistakes: 8. Over-sharpening

READ MORE

Adobe Lightroom basics: 6 things you need to know getting started
Professional photo editing tricks: how to get perfect skies in ALL your raw images

Best photo editing tips for beginners: 18 quick fixes to common image problems
Adobe Lightroom presets: how to make your photos stand out and save time

Olympus OM-D E-M10 Review
Apr 8th 2014, 13:51, by anicholson

Olympus OM-D E-M10 review: the new E-M10 boasts all of the key features from the original OM-D at a more affordable price and in a smaller body. Angela Nicholson puts it to the test.

Olympus OM-D E-M10 Review

Olympus OM-D E-M10 Review: Features

The OM-D E-M10 is the third model in Olympus's OM-D line-up of Micro Four Thirds compact system cameras, and it sits beneath the OM-D E-M5 (the original OM-D) and OM-D E-M1 as the 'entry-level' option.

However, it has many high-end features from the E-M5, as well as a few from the E-M1.

The 16.1-million-pixel LiveMOS sensor and 1,440,000-dot electronic viewfinder, for example, are the same as those found in the E-M5.

This means that unlike the range-topping E-M1, the Olympus OM-D E-M10 houses a sensor with an optical low-pass filter – while this reduces the risk of moirĂ© patterning, it does mean it won't resolve quite as much detail as one without.

However, the E-M10 does feature the TruPic VII processor of the E-M1 instead of the TruePic VI processor of the E-M5, which should be good news for image quality.

Thanks to the TruPic VII processor, sensitivity can be set in the range ISO 100-25600, and there's maximum continuous shooting rate of 8fps – although focus and exposure are locked at the start.

In addition, shutter speed may be set in the range 1/4000-60sec (plus bulb) and Exposure Compensation can be adjusted to +/-5EV.

In comparison to the E-M5, key differences include a simplification of the optical stabilisation system, which is 3-axis rather than 5; no battery-grip compatibility; no accessory port in the hotshoe; and no weather-sealing.

However, unlike on the E-M5 and E-M1, there is a small pop-up flash, with a Guide Number of 5.8m at ISO100. This is useful for fill-in flash, or shooting in low-light conditions.

As mentioned above, there's also a hotshoe for an external flash and other accessories.

The E-M10 also has Wi-Fi connectivity built-in, and is compatible with the updated Olympus Image Share app, which offers extensive control over camera settings – even allowing the exposure mode to be set to something other than the option indicated by the camera's mode dial.

The app also enables a smartphone to be used as a wireless remote.

SEE MORE: What camera should I buy? Pros and cons of each camera type

Olympus OM-D E-M10 Review Video

In our Olympus OM-D E-M10 review video we take a look at what this new camera has to offer and how well it performs.

Olympus OM-D E-M10 Review Video Transcript

Hi, I'm Angela Nicholson head of testing for Future's photography portfolio and this is the Olympus OM-D E-M10.

Although it's billed as the entry-level model for Olympus's OM-D line-up of Micro Four Thirds compact system cameras, the E-M10 has many of the same features as the E-M5, the original OM-D and a few from the top-end E-M1.

The 16.1-million pixel LiveMOS sensor and 1.44-million-dot electronic viewfinder, for instance are the same as in the E-M5. However, the image processor is the TruPic VII engine of the E-M1.

Sensitivity can be set in the range ISO 100-25,600 and there's a maximum continuous shooting rate of 8 frames per second – although focus and exposure are locked at the start.

Although it's a little smaller and lighter than the E-M5, the E-M10's control layout is almost identical to the original OM-D's. On the top here we have a mode dial with options that give access to 24 scene modes, a fully-automatic shooting mode, photo story mode, video mode and the Art Filters as well program, shutter priority, aperture priority and manual exposure mode.

If you use the Art Filters via the mode dial, exposure is automatic and you just have control over exposure compensation. However, you can also select to use the Art Filters in the advanced exposure modes via the Picture Mode controls and still have exposure control.

If you use this option, any of the Filter customisation set via the mode dial route to the Art Filters is retained. In addition, the filters can be used when shooting raw and JPEG files simultaneously so you have a clean raw file to process as you, like as well as a JPEG file with the effect.

While the E-M10 is small, it feels very secure and comfortable in the hand thanks to this pronounced thumbrest and the ridge on the front of the camera.

On the top here, there are two dials for adjusting shutter speed, aperture and exposure compensation depending upon which exposure mode you are using. I've changed these from their default set-up so that the front one sets the shutter speed or aperture while the rear one sets exposure compensation.

This button marked Fn2, used in conjunction with a control dial, gives access to the Highlights and Shadows, Color Creator, sensitivity, white balance, Image Aspect and Magnify controls. Once you've chosen the control you want, pressing the button again reveals the options for selection.

On the back of the camera there's a 3-inch 1.37-million-dot LCD which provides a nice clear view with plenty of detail in most conditions, but in bright sunlight the 1.44-million dot electronic viewfinder is very useful. It also provides a clear view with a slight boost to the micro contrast in comparison with the captured image.

Like Olympus's other OM-D cameras the E-M10 has Wi-Fi connectivity built-in and it allows the camera to be controlled remotely via a smartphone using the Olympus Images Share app.

This is very easy to set-up because the camera displays a QR code which the phone scans to download all the necessary information and there's no need to key in passwords and the like.

It's especially useful to use the app to control the camera when you're shooting from awkward angles or using Live Bulb or Live Time mode to make long exposures as you can see the image build-up on the phone screen.

It's a shame that the camera's electronic level doesn't show on the 'phone screen – but perhaps this could be added with a firmware upgrade.

Our lab tests and real world shooting reveal that E-M10 produces high quality images with lots of detail, well-controlled noise and impressive dynamic range – especially in raw files. Colour and exposure are also good in most situations although I found the occasional need to reduce the exposure to preserve highlights.

I think the Olympus OM-D E-M10 is a great little camera. It may not have the dust and splashproof build of the E-M5, but it feels solid enough in the hand. It also has an extensive featureset with lots of customisation options and it produces superb images.

Olympus OM-D E-M10 Review: Features and Review Video
Olympus OM-D E-M10 Review: Build and handling
Olympus OM-D E-M10 Review: Performance and sample photos
Olympus OM-D E-M10 Review: Verdict and specs
Our original Olympus OM-D E-M10 announcement story
Our original Olympus OM-D E-M10 hands-on review

READ MORE

How to take good photos: 10 simple ways to start boosting your hit rate
32 things photographers say… and what they really mean
Beginner photography tips: the most common mistakes and how to avoid them
Breaking bad photo habits: 10 classic blunders and ways to improve
44 essential digital camera tips and tricks

Lightroom Mobile: 11 answers to 11 burning questions
Apr 8th 2014, 09:58, by jmeyer

Lightroom Mobile is Adobe’s latest iPad app for photographers and brings the popular photo editing software‘s non-destructive processing and Smart Preview technology beyond the confines of the desktop.

Lightroom Mobile: 11 answers to 11 burning questions

Among the key benefits of Lightroom Mobile are

  • Sync mobile edits, metadata and collection changes back to the Lightroom catalog on a Mac or Windows computer
  • Automatically import images captured on an iPad and sync back to a Lightroom catalog on the desktop
    Work on images, even when your iPad is offline
  • Sync photos between Lightroom 5 and Lightroom mobile; synced photos can also be viewed from any Web browser

Great, you’re probably thinking, but what about some of the practical questions – like what’s the Lightroom Mobile price tag? How big are the file sizes? In their latest guest post our friends at the blog Life After Photoshop answer all your burning questions.

Now you can use Lightroom on your iPad! Adobe's new Lightroom Mobile product is a three-way partnership between Lightroom, Creative Cloud and the Lightroom app on your smart device.

Adobe has made an official announcement (see the links at the bottom of this post), but it has also presented the product in a press briefing where journalists were able to ask some key questions:

01 What is Lightroom Mobile?

It's a new combination of smart device software and cloud-based sharing which enables you to view and edit images in your Lightroom library on your mobile device.

02 How much will the Lightroom Mobile app cost?

Nothing. It's going to be a free download. But you will need a qualifying Adobe Creative Cloud account.

SEE MORE: DxO vs Lightroom vs Capture One Pro – which is best?

03 How does Lightroom Mobile work?

Images are synchronised over the Internet using Adobe Creative Cloud.

04 Aren't the files too big?

No, because it uses Smart Previews, which are heavily-compressed, downsized DNG versions of the original image. Adobe says a 30MB RAW file will typically shrink down to a 1MB lossy DNG.

05 Does Lightroom Mobile synchronise your whole catalog?

No. Lightroom Mobile will only synchronise Collections, not Folders. And you manually choose the Collections to sync – it doesn't sync them all.

06 Can Lightroom Mobile edit original images on your smart device?

Lightroom adjustments use processing instructions rather than changing the actual pixels in the image. These instructions can be applied to the smaller Smart Previews stored by Lightroom Mobile then transferred via Creative Cloud to be applied to the full-resolution originals on your computer. You only get the tools in Lightroom's Basic panel, but you can apply presets.

SEE MORE: Aperture vs Lightroom – 4 images compared

07 Can you edit offline?

Yes, there's no need for a live Internet connection. Your changes will be synchronised when a connection becomes available.

08 Can you also capture images with your iPad?

Lightroom Mobile offers no extra tethering/import options for the iPad, but you can add images from the Camera Roll to a Collection for synchronisation.

09 Does it need a new version of Lightroom too?

Yes, Lightroom Mobile requires a new Creative Cloud version of Lightroom, v5.4. The current version is v5.3.

10 Does this mean Lightroom is now subscription only?

No. You need the Creative Cloud version for Lightroom Mobile, but you'll also be able to get Lightroom 5.4 with a perpetual license. It will have all the other version updates except for the Lightroom Mobile capability.

11 Is Lightroom mobile iPad only? (Bonus question)

At the moment. Adobe says an iPhone version is on the way, but there's no news yet for Android owners.

READ MORE

Adobe Photoshop Touch: how to use Photoshop for phone and tablets
Best photo apps for photographers reviewed and rated
13 best free Android photo apps
13 best Android paid apps for photographers
Lightroom 5 vs Photoshop CC: which software should you choose?

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