Wednesday, 27 November 2013

Review Digital Camera World 11-27-2013

Digital Camera World
 
Many wonderful memories are captured in black and white.

With digital photographs, the art is now in creating black and white images. This course will teach you how to use Photoshop techniques to create beautiful images.
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10 family portrait photography mistakes every photographer makes at the holidays
Nov 27th 2013, 00:01, by jmeyer

We are fast approaching the festive season which usually brings plenty of opportunity to take a few family portraits. In the latest instalment of her ongoing series looking at some of the common mistakes photographers make, our head of testing, Angela Nicholson, explains some of the most common family portrait photography mistakes that photographers make and offers some advice about getting it right.

Family portrait photography mistake 01: Waking the baby

Baby photography tips for during the shoot: posing your baby

Unless you have the only baby in the world that doesn't mind being woken up and you want it to be awake in the photos, time your shoot carefully.

Happy baby shots usually require the infant to be rested, freshly changed, recently fed and winded. You need to find a window in that cycle to take a few photographs.

SEE MORE: Baby photography ideas: simple ways to capture striking pictures of your infant

Make sure that you have at least one change of clothes and be prepared to work around the youngest member of the family.

If the baby is asleep during the shoot, it's probably best to leave it that way.

Sleeping baby shots are cute, and why the odd bawling baby shot maybe funny, few parents want every shot to remind them of that side of parenting.

PAGE 1 – Family portrait photography mistake 01: Waking the baby
PAGE 2 – Family portrait photography mistake 02: Shooting wide open
PAGE 3 – Family portrait photography mistake 03: Not enough light
PAGE 4 – Family portrait photography mistake 04: Glaring glasses
PAGE 5 – Family portrait photography mistake 05: Lack of eye-contact
PAGE 6 – Family portrait photography mistake 06: Blinking
PAGE 7 – Family portrait photography mistake 07: Awkward poses
PAGE 8 – Family portrait photography mistake 08: Lamps growing out of heads
PAGE 9 – Family portrait photography mistake 09: Mis-matched couples
PAGE 10 – Family portrait photography mistake 10: Who took the photo?

READ MORE

10 common portrait photography mistakes (and how to avoid them)
14 portrait photography tips you’ll never want to forget
Baby photography: tips for the newborn again photographer
Child photography: tips for taking natural-looking portraits of children
11 clever baby poses from birth to age 2

Nikon D5300 review
Nov 26th 2013, 11:00, by jmeyer

Nikon D5300 review: the new D5300 offers a 24-megapixel sensor, with the optical low-pass filter removed to deliver finer image quality. Is this the ultimate beginner DSLR? Find out in our Nikon D5300 review video.

Nikon D5300 review

Given that Nikon still leads the way for SLR pixel count it is perhaps no surprise that it should stick with a 24-milion pixel sensor for the D5300. However, despite remaining at 24.2 million pixels this is a new devise without an optical low-pass filter.

Our head of testing Angela Nicholson takes a look at what the D5300 has to offer in her Nikon D5300 review video.

SEE MORE: Nikon D5300 vs D5100 vs D5200 – 13 key differences you need to know about

Nikon D5300 Review Video Transcript

Hi, I'm Angela Nicholson and this is the Nikon D5300, the update to the D5200.

Although the D5300 has the same pixel count as the D5200 and D7100, we are told that it uses a new sensor. What's more, like the D7100, there's no optical low-pass filter over the 24.2-million-pixel device to enable the camera to record more detail.

This sensor is coupled with Nikon's latest processing engine, the EXPEED 4 and according to Nikon UK, this enables the camera to produce better quality images.

Our tests seem to confirm this because although the Nikon D5300 has a slightly lower signal to noise ratio than the D5200, the noise is fine-grained and uniformly distributed with none of the banding that we saw in the D5200's images.

This probably explains why Nikon felt confident enough to push the native sensitivity range up to ISO 12,800, 1EV more than the D5200.

Luminance noise is visible in images captured at ISO 400 and above when they're viewed at 100%, but it's well controlled and the results at ISO 12,800 are good – albeit with greater noise and slightly softer details.

SEE MORE: Nikon D610 review

Another area that Nikon claims to have made improvements is with the automatic white balance and colour rendering. Our tests reveal that the Nikon D5300 has one of the most accurate colour profiles that we've ever seen and the automatic white balance system does a good job in a wide range of conditions – often managing to capture the atmosphere of the scene without over correcting.

On the back of the D5300 is a 3.2-inch LCD screen with 1.037-million dots. This provides a clear view with plenty of detail and because it's mounted on an articulating hinge, it can be viewed from a wide range of angles.

It really encourages you to shoot using live view, which is why it's such a shame that Nikon hasn't done anything significant to improve the live view autofocus system. It's OK in good light, but it's some way off the AF systems in the likes of the Panasonic G6 or Olympus E-P5 and it slows down significantly and misses subjects in low light.

It's also a pity that the screen's not touch-sensitive because there are relatively few direct controls on the camera and it would allow feature selections and settings adjustments to be made quickly.

Pressing this ‘I’ button on the back of the camera brings up the information screen, which displays all the key features for adjustment. You simply navigate to the one you want, press OK and then select the desired option. It’s a simple approach, but it could be made faster by making the screen touch-sensitive.

This could also speed selecting the AF point, there are 39 in total, but this is still fairly quick via the navigation control.

The Nikon D5300 is the first Nikon SLR to have Wi-Fi connectivity and GPS technology built-in. Both are easy to use, but the Wi-Fi system is particularly well implemented allowing the camera to be connected to a smartphone via Nikon's free Wireless Mobility App.

The AF point to be set by a touch on the phone screen and then the shutter triggered with another tap. Images can also be transferred quickly to the phone for sharing on your favourite social media sites.

I found the app especially helpful when I wanted to use the self-timer because it's marginally less painful to set it on the phone for every shot than on the camera. It would be a lot easier if it were possible to activate the self-timer for as long as you want to use it and then deactivated it.

Although there are a few handling niggles the Nikon D5300 impresses where it really counts, with image quality. The matrix metering system does a superb job in most situations, the AF system is reliable and colours are generally accurate and pleasant.

However, I can't help feeling that while enthusiasts may be frustrated the lack of direct controls, while novices expect a more responsive live view system.

PAGE 1: Nikon D5300 Review Video & Transcript
PAGE 2: Our original Nikon D5300 launch story

READ MORE

100 Nikon DSLR tips you need to know right now
49 seriously good Canon DSLR tips, tricks, shortcuts and time-savers
Nikon D610 vs D600: what’s new and what isn’t on Nikon’s new full-frame DSLR?

Nikon D600 vs D800: 20 things you need to know
49 awesome photography tips and time savers

Claim up to £50 cash-back on SanDisk Extreme Pro® memory cards (Sponsored)
Nov 26th 2013, 10:30, by jmeyer

Claim up to £50 cash back on SanDisk Extreme Pro memory cards (Sponsored)

Memory cards are sometimes an after-thought for many photographers, but in many ways they are the most important piece of equipment you’ll ever buy.

Choose the right memory card for your needs and you can vastly improve your workflow.

SanDisk is a global leader in flash memory solutions, and the company’s versatile Extreme Pro® SDHC™ and Extreme Pro CompactFlash® range of memory cards deliver outstanding performance for photographers who like to shoot a wide range of subjects.

SanDisk’s Extreme Pro memory cards enable high-speed burst mode shooting, Full HD, 3D and 4K video capture, as well as fast data transfer between your camera and computer.

And for a limited time SanDisk is offering cash-back on purchases from its Extreme Pro range.

Claim £50 cash-back from SanDisk!

From now until 18 February 2014 you can claim up to £50 cash-back on purchases of SanDisk Extreme Pro SDHC and CompactFlash cards from select retailers across the UK.

What’s more, you can claim cash-back on up to 10 qualifying purchases per person.

 

Go to www.sandiskcashback.co.uk to see a full list of participating products and nearest participating retailer to you.

To claim your cash-back simply fill in your details on www.sandiskcashback.co.uk, select the product & retailer you purchased from and upload a scan or photo of your receipt.

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†UK residents 18+ only. SCAN/PHOTO OF RECEIPT AND INTERNET ACCESS REQUIRED. Cash-back on max 10 qualifying product purchases per person. Purchase required by 18/02/14 – claim by 04/03/14. Select retailers and SanDisk Extreme Pro card products only. Click here to read the full Ts&Cs.

© 2013 SanDisk Corporation. All rights reserved. SanDisk, CompactFlash and SanDisk Extreme Pro are trademarks of SanDisk Corporation, registered in the United States and other countries. The SDHC and SDXC marks and logos are trademarks of SD-3C, LLC.

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