Tuesday, 5 November 2013

Review Digital Camera World 11-05-2013

Digital Camera World
 
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Nikon Df: price, release date, official specs for Nikon's new full frame camera
Nov 5th 2013, 04:00, by jmeyer

FX-format Nikon Df unveiled with retro body design and full-frame Nikon D4 sensor. The Nikon Df price tag will be £2749.99 / €3350 / US$2,999.99 (for the 50mm f/1.8 kit) with a release date set for 28 November.

Nikon Df price and specs confirmed

Nikon has officially announced its latest full-frame DSLR, the FX-format Nikon Df, which boasts the Nikon D4′s 16.2-megapixel sensor, a sleek retro body design reminiscent of vintage Nikon film cameras and compatibility with all but three of Nikon’s old lenses.

Nikon Df body: mechanical dials

Nikon Df body design

Aimed at purists, pros, enthusiasts and ‘everyone who enjoys the process of taking pictures as much as viewing them’, the Nikon Df is Nikon’s smallest and lightest FX-format DSLR, coming in magnesium alloy top, bottom and rear covers that weigh just 710g and is shaped like many of Nikon’s classic rangefinder bodies.

Like the Nikon D800 and D800E, the Nikon Df also comes weather-sealed for resistance to moisture and dust.

Nikon Df weather sealing

What’s more, the Nikon Df body incorporates some of the classic mechanical dials found on vintage rangefinder cameras. The Df boasts dials for setting shutter speed, ISO, exposure compensation, exposure mode and release.

The shutter speed dial enables settings in 1 EV steps, as well as Bulb (B) and Time (T). The Nikon Df shutter speed scale runs from a maximum 1/4000sec to its slowest offering of 30secs, with flash synchronisation at up to 1/200secs.

The Nikon Df’s shutter has also been tested to provide 150,000 cycles, Nikon says, and has been designed to replicate the shutter sound of classic Nikon cameras.

The new Nikon camera also offers a quiet shutter mode.

Other key features of the Nikon Df body design include a glass pentaprism viewfinder offering approximately 100% frame coverage and 0.7x magnification – as well as a DX Crop Mode with viewfinder marking – and a 3.2in 921k-dot LCD monitor.

The Nikon Df body will be available in black or silver.

SEE MORE: 100 Nikon DSLR tips you need to know right now

The Nikon Df price tag

The Nikon Df price tag will be £2749.99 / €3350 / US$2999.99 for the 50mm f/1.8 kit, with a release date scheduled for 28 November.

Nikon Df specs

Along with the same 16.2-million-pixel, 36×23.9mm FX-format sensor as found in the flagship Nikon D4, the Nikon Df offers an ISO range from 100 to 12,800, which is extendable up to ISO 204,800.

It also incorporates Nikon’s EXPEED 3 image processing engine, which Nikon says provides optimal colour and tonality while minimising noise throughout the frame.

Other key Nikon Df specs include 5.5fps continuous shooting and Nikon’s Multi-CAM 4800 39-point AF system, which is sensitive down to -1 EV and compatible with lenses up to f/8.

The Nikon Df also includes Nikon’s Scene Recognition System wherein the camera’s image sensor and a 2,016-pixel RGB sensor provide data to the System, which analyses the scene and sets exposure, autofocus and white balance accordingly before the shutter is released.

Like the recently announced Nikon D5300, the Nikon Df offers more energy efficiency, promising 1400 images per charge (in single frame mode) with the camera’s EN-EL14a battery.

SEE MORE: Nikon D5300 vs D5100 vs D5200: 13 key differences you need to know about

A Spot White Balance metering feature lets photographers assign a spot white balance reading to a specific area of the frame during Live View shooting,

Other Nikon Df features include an HDR mode, a range of Picture Controls and a Retouch menu with the option to correct red-eye, colour glance, raw processing and a range of resize options. What’s more, during Live View shooting photographers can apply a range of new framing grids (16- and 9-cell grids), a virtual horizon or shoot in 16:9 or 1:1 aspect ratios.

Nikon Df body design: back of camera

Nikon Df lenses

The Nikon Df comes with a new special edition 50mm f/1.8G prime lens, which Nikon says pays homage to classic manual focus lenses, and is tone and texture coordinated with the new Nikon Df.

The Nikon Df’s other big claim – and perhaps it’s most important – is that it enables attachment of non-Ai lenses. The Nikon Df boasts a collapsible metering coupling lever that enables even vintage non-AI NIKKOR lenses to be attached directly to the camera. In fact, Nikon says ‘all but three’ former NIKKOR lenses can be used with this latest Nikon DSLR.

When shooting with a non-AI lens in A (Aperture Priority) or M (Manual) mode, the Df allows full-aperture metering—equivalent to that of AI lenses. Lens characteristics such as focal length and the widest aperture setting can be defined via camera settings, enabling the camera to recognise the aperture setting and calculate correct exposure.

Nikon also says that to meet the demands of manual focus lens users the camera has illumination for focus points in the viewfinder screen, which can be turned off in manual focus mode. When moving a focus point it is illuminated for a short period of time.

Nikon Df price and release date

The Nikon Df price tag will start at £2749.99 / €3350 / US$2999.99, available only as a kit with the new 50mm f/1.8G lens. The Nikon Df release date is scheduled for 28 November 2013 with selected retailers.

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How to focus a camera: set your AF mode, stay sharp and when to use manual
Nov 5th 2013, 00:01, by jmeyer

In this quick guide on how to focus a camera we answer all of the common questions many beginner photographers have about setting the right AF mode and when to use manual focus.

How to focus a camera: set your AF mode, stay sharp and when to use manual

R Nelson / Getty

Why do I need to take control of focusing when it's supposed to be automatic focus on my camera?

Like any other automatic feature of a camera, autofocus (AF) doesn't always get it right. The AF system can end up focusing on the wrong part of a scene, and there will be times when it struggles to lock onto anything, with the end result of a blurred picture.

Don't get us wrong: today's DSLRs and lenses can focus faster and more accurately than they ever could; but, as with metering and exposure, you need to be actively involved in the process to get the best results.

In what sort of conditions is autofocus likely to get it wrong?

Your camera can struggle to autofocus when there's not enough light or when it's faced with a low-contrast or uniformly coloured scene, such as a brown dog in a muddy field. There won't be any clear edge for the AF system to find.

In these situations, the lens will focus back and forth, hunting for something to lock onto. If there's anything in front of the subject, such as a window or the bars of a cage, chances are the camera will focus on that instead.

Moving subjects can present a significant challenge to an AF system too. You need to make that you've selected the right focus mode in order to stand a fighting chance of getting a sharp action shot.

SEE MORE: 9 situations when autofocus will fail you

So which focus modes should I be using, and when?

The first thing to decide is whether you want to use autofocus or switch to manual focus. There are some situations where manual focus is the better option, which we'll come onto later. Let's assume you're sticking with autofocus for now, in which case double-check the switch on the lens is set to AF and not MF.

Autofocus offers two distinct modes, which you need to set on the camera. These are One-Shot AF (Canon)/Single-Servo AF (Nikon), and AI Servo AF (Canon)/Continuous-Servo AF (Nikon).

The One-Shot/Single-Servo option is the best choice for stationary subjects. Once the autofocus system has achieved focus, it locks that setting in: you can take a picture, knowing that the subject will be sharply focused.

As the name suggests, AI Servo/Continuous-Servo focuses the lens continuously, making it a good choice for tracking a moving subject. By default, the camera will let you take a picture at any time, even if the subject isn't in focus.

Many cameras offer a third AF mode: AI Focus AF (Canon) or Auto AF (Nikon). This automatically detects whether the subject is stationary or moving, and switches the autofocus accordingly. For reliable results though, you should select the dedicated AF mode yourself.

Choosing the AF mode shouldn't be confused with choosing the AF Area mode, which can also be set automatically or manually.

SEE MORE: How to choose the right AF mode

Focus modes: how, when and why you need to change your AF settings

What's the difference between AF mode and AF Area mode?

While the choice of AF mode dictates how the lens will be focused, the AF Area mode determines where the camera will focus. The way in which you access AF Area mode varies between camera models, but the options available are largely the same.

You can select either a single AF point or a cluster of AF points, or make all of the AF points active. Look through the viewfinder as you make adjustments, and you'll see the AF point configurations being highlighted as you go through the options.

How many AF points should I use?

It depends on what you're shooting. If you activate all the AF points, then the camera will automatically select which one(s) it will use to focus once you activate the AF system.

Although it's likely to pick out your chosen subject if it's large enough in the frame, you have no control over what the camera determines should be in focus. There's a chance that it could lock onto something in the foreground or background, or an incorrect part of the subject, such as the tip of a portrait-sitter's nose rather than their eyes.

However, this mode excels when you're photographing active subjects against a clean background, such as a bird flying across a blue sky. The more AF points your camera has, the more accurately it will be able to track the subject as it moves through the frame.

For the majority of situations, autofocus will be faster and more precise if you change the AF Area mode to Single AF Point instead.

Out of all the AF points available, the centre one offers the greatest precision; take advantage of this by pointing it at the feature you want to be sharp and half-pressing the shutter release to activate and then lock the focus.

Then, with the shutter release still half-pressed, recompose your picture and press the shutter release fully to take the shot.

SEE MORE: Master your camera’s autofocus – which AF points to use (and when to use them)

When should I use manual focusing?

Manual focusing is for when you want the focus distance to remain constant. For example, by autofocusing on a spot on a racetrack and then switching the lens to MF, you can take a sequence of photos of cars passing that spot, safe in the knowledge that the AF system won't refocus the lens elsewhere.

Manual focusing is also the only option when the camera can't lock on. Some lenses allow for full-time manual focusing, so you can correct any autofocusing errors made by the camera on the fly, without having the switch the lens to MF mode.

PAGE 1: Common questions on how to focus a camera
PAGE 2: How to focus with Live View
PAGE 3: Maximise depth of field with hyperfocal focusing

READ MORE

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Lightroom tutorials: reveal hidden detail in skies with Lightroom's Graduated Filter
Nov 4th 2013, 11:00, by jmeyer

In the latest of our Adobe Lightroom tutorials we show you how to lift lifeless skies and reveal hidden detail with a step-by-step tutorial on how to use Adobe Lightroom’s Graduated Filter.

In the latest of our Adobe Lightroom tutorials we show you how to lift lifeless skies and reveal hidden detail with a step-by-step tutorial on how to use Adobe Lightroom's Graduated Filter.

One of the biggest challenges in landscape photography is to balance exposure across land and sky. Skies are typically much brighter than land, so if you expose for the land the sky will look too bright, and if you expose for the sky the land will be too dark.

A lens-mounted graduated filter will solve the problem. Another option is to expose for the land, then bring back detail in the sky later.

SEE MORE: Adobe Lightroom: what every photographer needs to know about the alternative Photoshop

As long as you shoot in raw format, skies that initially look dull and flat may be hiding much more detail than you think. The trick is knowing how to tease it out. This is where Lightroom's Graduated Filter comes in. We'll use it here to darken the sky and emphasise the clouds.

Of course, grads only work in straight lines, so anything jutting into the sky will be darkened too. We'll compensate by lightening the castle with the Adjustment Brush.

So, start up Adobe Lightroom and give that lifeless landscape a dramatic makeover!

SEE MORE: Adobe Lightroom 5 Review – is this the game-changer you’ve been looking for?

How to use Adobe Lightroom’s Graduated Filter

How to use Adobe Lightroom's Graduated Filter: step 1

01 Improve the land
Go to Lightroom's Library Module. Click Import, navigate to your start image using the Source Panel, and hit Import. Go to the Develop Module. To improve the tones in our landscape, in the Basic Panel we set Exposure +1.10, Contrast +57, Highlights -40, Shadows +45, Whites -41, Blacks +22, Clarity +27.

 

How to use Adobe Lightroom's Graduated Filter: step 2

02 Darken the sky
Grab the Graduated Filter tool. Drag a line from the top window of the castle to the base of the wall. Hold Shift while you drag to snap the lines to horizontal. Go to the sliders at the top-right. We set Temp -13 to add blue and Exposure -1.80 to darken. Set Clarity +52 to enhance cloud detail.

 

How to use Adobe Lightroom's Graduated Filter: step 3

03 Add more grads
Drag another line from the top of the frame to the castle to add a second gradient. We set Tint -19 to cool down the top of the frame. The bottom-left corner is a little distracting, so darken it to draw the eye towards the castle – drag a third grad in from the corner and set Exposure -0.50.

 

How to use Adobe Lightroom's Graduated Filter: step 4

04 Paint a mask
In our image the top of the castle and hills are too dark, so we fixed them with the Adjustment Brush. Grab it from the Toolbar, check 'Show Selected Mask Overlay' and zoom in close to the castle. Check 'Auto-Mask' (beneath the sliders), then paint over the parapets and the hilltops to create a mask.

 

How to use Adobe Lightroom's Graduated Filter: step 5

05 Lighten the castle
We need our mask to gradually fade off in the same way as the graduated filter, so we check Erase then set Size 22 for a large soft brush. Gently erase the lower part of the mask so that it's more graduated. Next uncheck 'Show Selected Mask Overlay' and set Exposure +1.35, Temp +17.

 

How to use Adobe Lightroom's Graduated Filter: step 6

06 Extra punch
Click 'New', then set Contrast +26, Clarity +34 and paint a second mask over the clouds to boost detail. Scroll down to the Tone Curve Panel. Plot an S-shape curve by dragging one point up near the top of the curve line and a second down near the bottom to give the image extra punch.

PAGE 1: How to use Adobe Lightroom’s Graduated Filter
PAGE 2: Tips for using Adobe Lightroom’s Graduated Filter

READ MORE

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