Sunday, 10 November 2013

Review Digital Camera World 11-10-2013

Digital Camera World
 
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Car photography: how to create awesome speed without leaving first gear
Nov 10th 2013, 00:01, by jmeyer

Giving your car photography a sense of speed doesn’t have to be difficult or dangerous. In this easy-to-follow car photography tutorial we show you how to use a ‘bolt-on’ technique get dramatic photos with blurred backgrounds.

Car photography: how to create an awesome sense of speed without leaving first gear

Creating a sense of action in your car photography doesn't always mean driving vehicles at speed. With a little ingenuity and some simple techniques you can create the illusion of speed with the car travelling at walking pace.

This technique, known as a 'bolt-on', involves attaching the camera to the car and then using a long shutter speed to blur the background so that it looks like the car is travelling at speed. But even shooting at low speeds a bolt-on takes preparation and planning and a few pieces of kit.

The first task is to find a safe location to take your shots. You'll need a location where there aren't any other vehicles, such as a dead-end road.

You'll also need a smooth surface, as any bumps will cause the camera to move, creating the wrong sort of blur. Some objects fairly close to the car will create the right sort of blur and give a sense of speed.

Once you've found a location you need to attach the camera to the car. Professional car photographers often use Manfrotto suction cups, along with clamps, to attach a tripod to the car.

This arrangement is cumbersome, so the safest way to do this for the first time is to use a dedicated mount such as the Delkin Fat Gecko. This will mount the camera around 30cm from the car, so you'll need to use a wide-angle lens to include as much of the car as possible.

How to add dramatic background blur to your car photography

How to add dramatic background blur to your car photography: step 1

01 Find a location
To shoot a moving car you need a safe location where there won't be any other traffic, a smooth surface for the car to run on, and some objects close to the car to give a real impression of speed when you blur them. We've got permission to shoot in this car park at a quiet time.

 

How to add dramatic background blur to your car photography: step 2

02 Exposure and composition
You'll need to use a shutter speed of between one and three seconds to get plenty of blur, so before attaching it to the car, hold the camera roughly in position and check the exposure. If it's too bright you will need to attach an ND filter to the lens to reduce the exposure.

 

How to add dramatic background blur to your car photography: step 3

03 Attach the camera
The camera needs to be firmly attached to the car. Using a sucker mount such as the Delkin Fat Gecko means that you can do this and keep your Nikon safe without marking the car's paintwork. Once the camera is attached, always double-check that it's totally secure.

 

How to add dramatic background blur to your car photography: step 4

04 Attach a remote trigger
As you're going to fire the camera from a distance you'll need a remote trigger. You can get different sorts of remote triggers, and a radio one such as the Hähnel Combi TF is ideal as it will fire the camera from any position, unlike some infrared remotes.

 

How to add dramatic background blur to your car photography: step 5

05 Take your shots
Once you are happy with the set-up, get the driver to move the car slowly and smoothly while you fire the camera. Although you can trigger the camera from a distance, try to stay close to the car to keep a watch on the camera and mount for any movement or loss of suction.

 

How to add dramatic background blur to your car photography: step 6

06 Even more motion
Once you've got some straight shots, try different effects. You could set the camera at an angle in order to get a more dynamic composition. Also, if you have space around the car you can shoot when the car is turning to give a curved shape to the blurred background.

Final Tip
For any car shoot, the vehicle needs to be clean for the best results. Always take a basic cleaning kit of a microfibre cloth and some water.

READ MORE

10 quick action photography tips
44 essential digital camera tips and tricks
Common mistakes at every shutter speed (and the best settings to use)
Sports photography: tips for setting up your camera to shoot anything

Epson Expression Photo XP-950 review: the A3 printer in an A4 printer's body
Nov 9th 2013, 13:00, by jmeyer

The Epson Expression Photo XP-950 is proof that A3 printers don’t have to dominate your desk. Find out how it fares in our Epson Expression XP-950 review.

Epson Expression Photo XP-950 review: the A3 printer in an A4 printer's body

Doubling your print size to A3 is a great way to show off your photography skills and your camera's image quality. If only A3 printers weren't double the bulk of their A4 counterparts.

Not so with Epson's new XP-950: it only occupies around a 25% larger footprint than Epson's A4-only XP-850, giving you A3 printing pros without the space-hogging cons.

Up top is a 4,800dpi flatbed scanner; you can also enjoy direct printing from memory cards or use the on-board Wi-Fi connection to connect mobile devices.

An 8.8cm touch-sensitive LCD control panel runs the show; although its display quality isn't outstanding, the device is responsive.

Print quality doesn't disappoint, with excellent colour accuracy and smooth tonal graduation largely free from banding. Greyscale separation is clear too.

But despite a respectable 5,760×1,440dpi printing resolution, some minor stepping (or jaggies) is visible on our diagonal and circular test patterns.

This rarely affects any real-world prints, though, which impress with their overall clarity and tonal accuracy. Mono output is less impressive, exhibiting a noticeable cyan colour cast.

The XP-950 makes good sense as an occasional A3 printer for the space-conscious, but its relatively low-capacity ink cartridges and premium price make it vulnerable to Canon's terrific Pixma Pro-100.

This beast of an A3+ printer hasn't been on the XP-950's crash diet, but it costs only a fraction more than the Epson, boasts superior print quality and is better suited to high-volume output.

Price: £350

Score: 4/5

READ MORE

Restore old photos: how to rescue vintage prints and family pictures
Cropping photos: expand small subjects at printable sizes in any version of Photoshop
20 questions you need to ask about how to print photos
15 common photo printer problems and DIY solutions

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