Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit best price

Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit

Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit Reviews

This camera has top-tier image quality in a polished, compact package well-suited to travel. Those upgrading from a 5D II or 7D may prefer the sharp response and focusing performance of the 5D III. Buyers without an investment in the Canon system may find Nikon's D600 a better value. I've finally had enough of a hands-on with this camera to draw some conclusions about it. My main body is a 5D II and I've owned or used almost all of Canon's crop bodies. HANDLING AND NEW FEATURES: Build quality on first impression is similar to the 60D and 5D II. Solid enough, with a slightly narrower grip than most previous Canon bodies, those two inclusive, but still comfortable to my large hands. This body is petite for full-frame, about 10% smaller by volume than the 5D II and 15% under the 5D III. Weight is similarly svelte, below every 5D and the 7D, and about even with the 60D. The larger cameras will balance a bit better with heavy lenses; this 6D will be the preferable travel body by a small margin. New relative to the 5D II are improved weather sealing and a much-appreciated mode dial lock. It's not clear how comprehensive the sealing is; I still wouldn't take it in the rain, and very few non-L Canon lenses are weatherproof. The LCD screen has a fatter aspect ratio and somewhat better contrast. As seems to be the new Canon norm, the 6D has mushy buttons that activate at some indeterminate point. Novel, however, is the button layout. The top panel retains the 60D's configuration of four buttons, each with one function. The 5D series, 7D, and prior XXD models have three buttons with two functions per. You lose direct adjustment of flash exposure compensation and white balance, but frankly, most people will find this simplified layout preferable. I still forget which dial controls which function on my 5D II. The rear panel looks superficially like the 60D with the same right-hand bias, though the functionality has been shifted around. A mitigating factor is that, as on the 7D, 60D, and subsequent bodies, you can bind custom functions to many buttons. I didn't find it a major trial to adapt from the 5D II, but you'll definitely want to spend a few days with it before you have to work under pressure. Rebel owners will find the adjustment more significant. This 6D has a single SD card slot. The 5D II uses CF, which is rapidly becoming the purview of only high-end bodies. CF is faster, harder to lose, and costs more. SD is fast enough for a body in this speed class. This is nonfactor unless you have a sizeable collection of the opposing format. The 5D III has a dual slot that can speed some workflows and provide media redundancy. Like all Canon full-frame DSLRs, this body doesn't have a popup flash. I'm not lamenting the absence, it was a bone to casual shooters more than a serious tool. Max sync speed for most Canon bodies is around 1/200, so integrated flash only works for outdoor fill with narrow apertures. Indoors as a main light source, the tiny size and close proximity to the lens lead to red eyes and a flat, unflattering high-contrast look. A much preferable setup for any Canon DSLR pairs a 430EX or 580EX, ideally diffused or aimed to bounce off a nearby surface. Shutter lag now rivals the 5D III and 40D-7D, a few ticks quicker than the 5D II and any of the Rebels. Mirror blackout time is a more significant improvement, though still not quite level with the 5D III. The 5D II has a similar continuous-shooting rate and a more sluggish feel. Of greater interest: like the 5D III, the 6D now has a 'silent' shooting mode that lowers the volume and pitch of the mirror clunk by half. Every wedding I've ever shot would have benefited from that. The screen interface follows the mold of every Canon body since the 40D. It has a series of horizontal tabs with options. The major UI change is that instead of 9 tabs that also scroll vertically, you get 15 that don't. The advantage is that you can rapidly wheel through tabs and see everything there is to see without scrolling; the disadvantage is that it looks intimidating and there are multiple tab groups of the same icon. The 'Creative' modes show every tab. Some are hidden in Program and Auto modes. We've come full-circle since the original 5D, which had a handful of tabs and piles of scrolling. A major new feature also common to the 5D III is a better implementation of Auto-ISO. It's often the case in changing light where you want to shoot a lens wide open for subject isolation, but with a fixed or minimum shutter speed so you won't risk motion or hand blur. On the 5D II, that was a no-go; Auto-ISO didn't work in Manual mode, and the minimum shutter chosen in the other modes was too low. This camera will do Auto-ISO in M between any lower and upper bound you choose. Or you can set a minimum shutter for Av or P mode. Wonderful and overdue, this. Some other new features are worthy of note. They've added a single-axis level that's useful for landscapes and architecture. The GPS feature will tag images with a location and can also keep a constant breadcrumb position log (at significant cost to battery life) that you can layer on a map later. And they've added wireless networking, so you can control the camera by smartphone or laptop with a live video feed. I can do that with my 5D II, but it requires a cable or USB-wireless converter dongle. In theory, you can also upload to Facebook by way of a Canon bridge website, but I didn't test this. AUTOFOCUS: AF is a marginal improvement over the 5D II. Performance and customizability are somewhat better, but usability suffers. First, context: unlike a phone, point-and-shoot, or mirrorless body, DSLRs don't use the image sensor ("contrast detect") to focus for still photography through the viewfinder. That means you don't get face detection or any sort of scene recognition at all. Instead, you've got a handful of 'AF points' in a diamond configuration. Each point covers a tiny area of the frame. If you let the camera choose the point, it'll pick whichever is sitting on a contrasting edge (i.e., a clear dark/light edge; anything that isn't a flat color). Maybe that'll be an eye. It could just as easily be a button. The first major habit to acquire with a DSLR is picking your own focus points. The easier that is, the faster you can accurately shoot. On the 5D II, there's a joystick on the back to individually select any of the 9 AF points with a single click. The phase sensor has 6 invisible AF-assist points to help track motion. Minimum light to focus with the center cross-point is -0.5 EV; in my case, that translated to an exposure of 1/50, f/2, ISO 25600 with a 100/2. Very dim, but not impossible to see and not out of the ISO capacity of this body or certainly the 6D. Shooting by moonlight or dim exterior lighting could benefit from greater AF sensitivity. The 6D excels in this area. The center point is rated to -3 EV, a full 2.5 stops below the 5D II and is, in theory, at least a stop under any other Canon DSLR. There's essentially no handheld exposure, even with an f/1.4 or f/1.2 lens, for which this camera won't catch focus. But it's missing the 5D II's joystick; you have to awkwardly shift your thumb further down to use a less precise 8-way rocker panel. If you choose not to bind AF to the shutter button, you'll wear out that digit in a hurry. Also, the system now has 11 AF points (with no additional coverage), so you can't directly select the two outer points anymore. As to motion tracking, the 6D's AF diagram suggests it may also have 6 or 8 AF-assist points. The manual doesn't say, and if they exist, they're not selectable. Either way, the same rules from the 5D II apply: if you're tracking a high-contrast object centered in the viewfinder in decent light, it works well enough. All bets are off if you need to rely on the outer points. Likewise for using the outer points with wide-aperture lenses; they don't always hit. You'll want to take a lot of safety shots if focus is critical. There are a few new custom functions to fine-tune AI Servo. As with the 5D II, the 6D supports AF microadjustment, though now with separate settings for the wide and long ends of zoom lenses. Also interesting is the ability to link the AF point with camera orientation; helpful if you're switching from portrait to landscape repeatedly. To the extent it's possible to narrow a wide array of AF characteristics to a 10-point scale, here's how I'd subjectively rate Canon's various bodies: Center point / Outer points / Motion tracking | Body 9 / 9 / 9 | 5D III 6 / 6 / 7 | 7D 6 / 5 / 5 | 40D/50D/60D/T3i/T4i 7 / 3 / 4 | 6D 6 / 3 / 4 | 5D II 6 / 3 / 3 | T2i Some scenarios will show greater disparities than these numbers suggest. A 6D in very dim light may well catch focus where every other body on this list fails. Likewise, very fast or erratic objects may flummox every camera here but the 5D III. I've ranked the 5D III's center point higher because, while it can't match the 6D in moonlight, it has significantly higher accuracy and consistency with recent Canon lenses. STILLS IMAGE QUALITY: Excellent. Per-pixel sharpness is very high and superior to crop bodies-- par for the course for a full-frame sensor near this pixel density. Dynamic range is similar to the 5D II and 5D III. Noise performance in raw is a third-stop better than the 5D III, one stop ahead of the 5D II, and a little over 2 stops past the T2i/T3i/60D/7D. I'd run this body to ISO 12,800 without much thought. Colors at low ISO are indistinguishable from any other Canon DSLR. Shadow noise has improved over earlier bodies. Read more ›. this is my Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit reviews

Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit Specs

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• Price for all three: $2,619.60
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• This item: Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit $2,599.00
• SanDisk Extreme 16 GB SDHC Class 10 UHS-1 Flash Memory Card 45MB/s SDSDX-016G-X46 $19.21
• Zeikos ZE-LCH1 Lens Cap Keeper $1.39

. Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit

Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit Best buy

Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit
. Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit will.. (Read More)